Drugs, Cheating, and the Purity of Americas Pastime...

Most children who have grown up in an American household have at one point in their lives looked up to sports figures as heroes. Whether it was your grandfather telling his stories of watching Babe Ruth become a legend, your father’s stories of Mickey Mantle and the legendary Yankee teams of the 1950’s and 1960’s, or your own memory of Mark McGwire and Sammy Sosa chasing the home run record, the feeling of wholesomeness that baseball provides has always found its way into many people’s hearts. Steroids have tarnished these sacred memories, cast doubts in the minds of many on the legitimacy of records and statistics and finally affected the way younger players play the game. Baseball, America’s pastime, is embedded in the fabric of†¦show more content†¦This latest discovery of steroid use has the chance to step on the hearts of many young fans of the game, and turn away the most loyal of fans. This whole situation has the opportunity to become a crushing blow to a country at war in need of its national pastime; a country that needs its heroes. The most rampant issue regarding steroids in baseball lately has to do with the investigation of BALCO (Bay Area Laboratory Co-Operative), its dispensing of steroids, and the players that willingly accepted them. Aside from the fact that these are illegal drugs, and several BALCO employees face federal punishment for distributing them, just as someone selling heroin or cocaine on the street would be, the investigation must be able to tell us which players accepted and used the steroids which they were given. So far the only discovery that has been made was that three superstar players Barry Bonds, Gary Sheffield, and Jason Giambi, allegedly received the drugs from BALCO, but there has been no proof as to when, or even if they were definitely used by them. (Wada Williams) The fact that three of the most prominent, popular, and notable players in the game had been given steroids radically changes the public’s perception of them. Whether or not they used the steroids given to them is another story in itself, but the mere fact that theyShow MoreRelatedEssay on The Ethics of Performance Enhancing Drug Use in Baseball2368 Words   |  10 Pagesthe 1990’s, Major League Baseball has been tainted by the â€Å"steroid era,† with over 127 players admitting to or being charged for performance-enhancing drug usage. As records have been shattered, books have been published, and players have confessed to their exploits, these drugs have made society question the legitimacy of America’s favorite pastime. One of the game’s greatest, Hank Aaron, set the all time homerun record in 1974. Thirty-three years later, Barry Bonds tied this record, and shortly

Where Do The Mermaids Stand - 1219 Words

In current society today, technology is advancing at a rapid rate and with so much exposure to the media it is difficult to control what is being seen by children. Disney is one of the largest and most successful companies in the film industry. From children 4 years old to adults and every age in between, Disney has found a way to create films that entertain all ages. The seemingly innocent content of Disney movies are enjoyed from a very young age; however, behind the colorful and lighthearted storylines of many Disney films lies many unreasonable social ideologies that children may be subconsciously becoming accustomed to. In her work, â€Å"Where Do the Mermaids Stand,† Laura Sells discusses the hidden messages in Disney’s The Little Mermaid. Sells explains how this movie expresses a hierarchy of gender and exaggerated femininity by demeaning the role of women in society. Susan Jeffords, author of â€Å"The Curse of Masculinity,† discusses similar ideologies in her article. This article looks at Disney’s Beauty and the Beast and focuses primarily the role of men and the how they perform to fit into this white male system by means of upholding hegemonic masculinity. The two articles â€Å"Where do the Mermaids stand† and â€Å"The curse of Masculinity,† bring to attention the reinforcement of the white male system, the racialization in the white male system, and the reinforcement of hegemonic masculinity in beloved childhood Disney movies. Firstly, both the articles reinforce the idea ofShow MoreRelatedAnalysis Of The Movie Bella 1419 Words   |  6 Pagesshe will have to meet them their. Bella also invites her friend Emma. Bella goes in while Emma is getting candy from the small stand. Bella sees Sarah and Nathan at the snack stand together. Bella wonders how her best friend could betray her like that, with the guy she liked. Bella stormed away from the movie. Bella ran to the bridge over looking the beach where she goes to when she needs to be alone. 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Long Days Journey Significance of Fog Essay Example For Students

Long Days Journey Significance of Fog Essay Long Days Journey: The Significance of Fog (8)A Long Days Journey Into Night, by Eugene ONeill, is a deeply autobiographical play. His life was rampant with confusion and addictions in his family. Each character in this play has a profound resemblance, and draws parallels and connections with a member of his own family. The long journey that the title of the play refers to is a journey into his past. Fog is a recurring metaphor in the play; it is a physical presence even before it becomes a crucial symbol of the familys impenetrable confusion. It is referred to in the text as well as stage directions in this play. It sets the mood for the play in all its somber hues. He uses the fog outside the house as an atmospheric element that has an ominous presence throughout this play. His parents and the surroundings that he grew up in were tainted by broken dreams, lies, disease, past issues, alcoholism and drug addiction. There was this web of darkness and fogginess that encased his life an d past that is portrayed in this play as well as others by ONeill. The symbolic implications of fog in the play are descriptive of the struggle in the minds of this deeply conflicted family. The significance of fog in ONeills writing can be examined in two forms. The first is what type of emblematic quality does the fog provide in this play, and the second is what are other plays in which ONeill has used fog in a similar way. This play takes place through an entire day where the climate mirrors the mood of the family. The play begins at 8:30 in the morning with a trace of fog in the air, and concludes sometime after midnight, with the house foghorn. (Brustein 1020). The intensity of the fog continuously increases throughout the day, directly correlating to the murkiness in the household. The familys mood significantly intensifies with the intensity of the fog. There are copious connections between the life of the fog and that of the Tyrone family. All throughout the play there is a conflict between past vs. present, truth vs. lies, and addiction vs. sobriety. This family lives amidst a haze of denial and as the fog gets thicker, they continue to get further lost. The fog has a polarity that directly relates to Mary, the mood changing from sunny cheer over Marys apparent recovery to gloomy despair over her new descent into hell (Brustein 1020). The fog is first mentioned when Tyrone says, Its too fine a morning to waste indoors arguing. Take a look outside the window, Mary. Theres no fog in the harbor. Im sure the spell of it weve had is over (ONeill 736). The introductory image establishes the fog as both the intermediary and a symbol of Marys addiction. The fog is easily identifiable as Marys morphine high, representative of her cloudy mental state. Mary sinks back into her addiction as the night falls and slowly regresses further away from reality and her family. The fog signifies the state of mind that she is in. Fog has a dense and opaque quality that creates low visibility and blocks out the sun. The fog described in the stage directions is as a white curtain drawn down outside the windows (ONeill 773). Mary tells Cathleen how she loves the fog, which can be interpreted as her love for the morphine that removes her from any type of coherence. Mary was on a path to recovery and now has slowly lapsed into her state of addiction once again. She likes this state because It hides you from the world and the world from you. No one can find or touch you any more (ONeill 773). For Mary, this fog is representative as an alternative or refuge from reality. Her relapse into addition causes clouds her judgment and impairs her sight. She can hide herself in the fog so that her family can be oblivious to her addiction. Mary, however, is not alone among the fog people the three men also have their reasons for withdrawing into night (Brustein 1021). Each of these men is haunted by his individual past and this phrase fog people alludes to their state of intoxication. There is a hazy fog in their disposition constantly. The fog clouds and impairs their judgment throughout the play; blocking communic ation and slowly distancing a once close family. Tyrone, when he was younger, showed promise as a brilliant actor. He wasted his talent by committing to a lead role in a commercial play, never optimizing his full potential. He got stuck in a stereotypical role, making him famous but eventually a nothing. He turned to alcohol and drank heavily. His dreams were lost and he often regretted his life decisions when in a drunken stupor. It was as if the fog had thickened and he lost his dreams in them. Jamie, a Might-Have-Been (Brustein 1021), had great potential, but wasted it all and now frequents whores. He is a hopeless alcoholic, and even though he possesses great talent, will never tap into it. And loves lastly, Edmund, who shares a close relationship with the fog. To Edmund it works both as a loss of memory and as a memory of loss. He is slowly being taken over by consumption, and as the fog thickens, his health deteriorates. Like Mary, he finds refuge in the fog in the middle of t he night. Edmund says The fog was where I wanted to beThats what I wanted to be alone with myself in another world where truth is untrue and life can hide from itself (ONeill 796). .uc2ebc0d8b411faf3f1331cb40ce01eef , .uc2ebc0d8b411faf3f1331cb40ce01eef .postImageUrl , .uc2ebc0d8b411faf3f1331cb40ce01eef .centered-text-area { min-height: 80px; position: relative; } .uc2ebc0d8b411faf3f1331cb40ce01eef , .uc2ebc0d8b411faf3f1331cb40ce01eef:hover , .uc2ebc0d8b411faf3f1331cb40ce01eef:visited , .uc2ebc0d8b411faf3f1331cb40ce01eef:active { border:0!important; } .uc2ebc0d8b411faf3f1331cb40ce01eef .clearfix:after { content: ""; display: table; clear: both; } .uc2ebc0d8b411faf3f1331cb40ce01eef { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc2ebc0d8b411faf3f1331cb40ce01eef:active , .uc2ebc0d8b411faf3f1331cb40ce01eef:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc2ebc0d8b411faf3f1331cb40ce01eef .centered-text-area { width: 100%; position: relative ; } .uc2ebc0d8b411faf3f1331cb40ce01eef .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc2ebc0d8b411faf3f1331cb40ce01eef .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc2ebc0d8b411faf3f1331cb40ce01eef .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc2ebc0d8b411faf3f1331cb40ce01eef:hover .ctaButton { background-color: #34495E!important; } .uc2ebc0d8b411faf3f1331cb40ce01eef .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc2ebc0d8b411faf3f1331cb40ce01eef .uc2ebc0d8b411faf3f1331cb40ce01eef-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc2ebc0d8b411faf3f1331cb40ce01eef:after { content: ""; display: block; clear: both; } READ: Priest And Chaplain Essay This play told the tragic story of his life and his dysfunctional family. The family was lost and while so much importance is placed on Marys addiction the men fail to see their own dependencies. The fog is so thick that this family has lost its way in a fog of morphine, liquor and lies. The imagery of fog in the play really depicts the level that the characters are at in the play and their relationship with truth. Their individual level of intoxication connects each member in the family and the fog allows them to escape in their own private way. The fog is dense which prevents them from being able to see their past. It hinders their visibility an d aids in their denial. People easily lose their way in fog, just as they do in life. The foghorn in this play, acts as the only reminder of real life. This family has lost its way in life as if they have gotten lost in the fog. The foghorn is something that thrusts Mary back to reality. It keeps her up all night like her conscience, eating away at her soul. ONeills extensive stage directions reveal Marys emotional reaction to the statements made by those around her. She is self-conscious at the signs that her husband and sons are watching her for recurrent signs of her addiction. She states dreamily to Cathleen in the play that she loves the fog but hates the foghorn. The fog acted like a buffer that insulated Mary from the pain around her and from her past. The foghorn was a harsh, obnoxious reminder of her reality. Its the foghorn I hate. It wont let you alone. It keeps reminding you, and warning you, and calling you back (ONeill 773). The foghorn, parallel to being Marys reminde r, is also a warning to Marys family against her addiction. Her family is in denial and wants to act as if she is normal. It is Edmund who says something about her addiction Its pretty hard to take at time, having a dope fiend for a mother! (ONeill 788). Just then the foghorn and ships bells are heard. Edmund expresses the idea that the fog is an escape from reality when he says, The fog is where I wanted to be. (ONeill 795). He is expressing his confusion and is lost when he talks about how the fog hides the house. He substitutes himself for the house drawing a parallel between the two. Edmund feels remote and disconnected from his environment and his family cannot read what he is experiencing. Edmund seems like he has almost given up and he yearns to belong even if its in another world (795). He uses the fog and sea as metaphors of how close he feels to his solitude. As if I was a ghost belonging to the fog, and the fog was the ghost of the sea. It felt to damned peaceful to be nothing more than the ghost within the ghost (ONeill 796). Edmund experiences this oneness with nature. He is mentally in a state of fogginess and only sometimes has moments of clarity. Edmunds sense of self is lost. So much energy in invested in this morbid and depressing web of denial and addiction that he loses a part of his soul forever. The fog is used in so many various ways as imagery and with significance as though filling the spaces between clarities. The fog is created out of pain in order to dilute clarity. The individuals in this play needed to escape themselves but didnt succeed. ONeill expresses the same fear of truth and uses the imagery of fog in The Iceman Cometh. The Iceman Cometh is written in the same time period as Long Days Journey Into Night, and is a parallel in the struggle of the past vs. present. The use of the fog imagery is not as direct in this play, but there are subtle mentions of fog in the play, such as the gray subdued light of early morning in a narrow street (ONeill 660). This grayness is almost identical to the morning that the Tyrone family experiences after being awakened by the foghorns. Both stories spell the gloom and dreariness of these characters and their lives. The imagery of fog wasnt as prominent in the rest of his plays. .uf288ba1a6ca39ea85f95b183dc1468cd , .uf288ba1a6ca39ea85f95b183dc1468cd .postImageUrl , .uf288ba1a6ca39ea85f95b183dc1468cd .centered-text-area { min-height: 80px; position: relative; } .uf288ba1a6ca39ea85f95b183dc1468cd , .uf288ba1a6ca39ea85f95b183dc1468cd:hover , .uf288ba1a6ca39ea85f95b183dc1468cd:visited , .uf288ba1a6ca39ea85f95b183dc1468cd:active { border:0!important; } .uf288ba1a6ca39ea85f95b183dc1468cd .clearfix:after { content: ""; display: table; clear: both; } .uf288ba1a6ca39ea85f95b183dc1468cd { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf288ba1a6ca39ea85f95b183dc1468cd:active , .uf288ba1a6ca39ea85f95b183dc1468cd:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf288ba1a6ca39ea85f95b183dc1468cd .centered-text-area { width: 100%; position: relative ; } .uf288ba1a6ca39ea85f95b183dc1468cd .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf288ba1a6ca39ea85f95b183dc1468cd .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf288ba1a6ca39ea85f95b183dc1468cd .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf288ba1a6ca39ea85f95b183dc1468cd:hover .ctaButton { background-color: #34495E!important; } .uf288ba1a6ca39ea85f95b183dc1468cd .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf288ba1a6ca39ea85f95b183dc1468cd .uf288ba1a6ca39ea85f95b183dc1468cd-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf288ba1a6ca39ea85f95b183dc1468cd:after { content: ""; display: block; clear: both; } READ: Israel Exile Period EssayONeill had a great amount of turmoil in his life and the Long Days Journey Into Night story reflected perfectly the fogginess and daze he lived through. His dark life experiences have given him a rich, emotionally charged place, from which to write. The fog serves as a tool to paint the dreary picture and symbolize this darkness through his plays.